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1.
I don't know how much I can trust a man whose work all falls into the same hopeless romantic woe I want no part in, But last December all his thoughts held my head hostage - I couldn't stop ruminating far too much on who meant what when. And everyone says "if your grip is too firm, let it go." But everyone says what everyone says, how would I know? I'm a ripple trying to carve my way through a frozen lake bed in the midst of winter. As you might've guessed, I will fail. The year I came into this world, a four-piece band from Mesa would go on to emphasize how static tends to prevail. And "loose ends kept untied makes better friends," they said. You may see me around, but don't say "full ride" yet. I don't know how much I can trust a point of view with no regard for what the future self becomes as long as now's good, 'Cause every action in the past has led to this but will the next one lead to somewhere better off or just straight backwards? And at the time, I thought it might do good to let go, But with no attachments, how will I last when the wind blows? I'm a ripple trying to carve my way through a frozen lake bed in the midst of winter. As you might've guessed, I will fail. The year I came into this world, a four-piece band from Mesa would go on to emphasize how static tends to prevail. And "they'll take you where you won't come back to me," they said. "Nostalgia is death, this is all in your head." I chased the light. I chose star bright. I left home today, but couldn't escape the region. And after rest and chance, I finally fit my pants again, but can I slip into somebody else's shoes? 'Cause though I'm back with a little more stamina and confidence, will I stay 'til the end or jump the fence before then? Like a big one ready to shred my way through high-tide volatile Fundy Bay, eroding every slab of clay I sink my teeth in, You can't see the big picture when you lack both clarity and sense, head racing like a Shinkansen en route to pure despair. And "we can't go back for the seconds we lost," they said. I've just been thinking, that's all, but I could stand to stop, I guess.
2.
Gusts 04:33
All I ever wanted was to clutch the present tightly to my chest and hope that aging spirits wouldn't pry it out, Like the eroded walls of granite crumbling in this chapel where the sermons spewed from parrot reverends ushered people in with an agnostic hymnal yet declared they were baffled by declining rates of membership. But when you preach the word in a stream of consciousness locked in California drought, don't be shocked when they figure out that all this talking's just going nowhere fast. To make the world a better place, your faith in it has to last. And the gusts blew mine out years ago to who-knows-where and back. All I ever wanted was to keep a promise and mean the world to someone with no correspondence that a peer had forced or desperately encouraged. Sustain the broken narratives in unwritten fiction, climb on the garage, but trip on toy bricks, every mite an obstacle when you think so small but dream big. But now like Polaris which never appears on a cloudy afternoon or in the Southern Hemisphere, all this empty rhetoric led us nowhere fast. To make the world a better place, your faith in it has to last. And a gust blew mine out years ago to a demilitarized Tornado Alley to be received in Morse code by those who loathe deciphering anything. Save me. If you're so good at saving and progression, then why do we repeat the same mistakes? The same mistakes...the same mistakes... And when you claim that life is just a customer service phone call with a consultant you can't understand but don't want to offend, what would hanging up and pressing luck for someone clearer represent? 'Cause I loyally clung 'round this shrinking pitiful pulpit, (No one ever wants to hear a sound this grating.) Where a red pill met its brother and sought out something tougher to combat, (Either isolate or let cross-pollination break you down.) While the pews of pundits with me among them, distracted by the covenant, got swept up in abundance, vowed to change our habits then screamed "fuck it" when the aisles cleared bare.
3.
Laid new foundations, tile after broken tile. If only I'd no obligations to uphold, I'd head to the woods for a while. But everybody's guesses what true success is are as good as mine. Kinda miss the company, but constant congregation never suited me fine. Now I'm just feeling frostbit in the middle of August, nerve sensation corrupted. Memories not worth the effort tossed to the wayside. And you called it, I've broken each promise, and I've no true excuse to confess, no remarks for the audience to digest, resigned. So bid this adieu and wish for better luck next time. Replacing the base with quicksand and avarice, torrentially flowing from the center out to greet the circumference. Nowadays all I'm trying to do is find grounding while everyone around here's taking flight towards some obscure exotic target. Never minded travel as long as I kept a cautious eye on the map and a stopwatch ready in hand to track my time, But on them someone's scribbled in permanent pen a false route marked with no 'X' and cryptic cursive that lends no hint of where the treasure really lies. It's illegible. I can't read. Ineligible. Not for me. I think this is what that one guy Mull said, but you can't cite a quote with a source this debated. On this waterlogged, thrown-out cigarette from the river, "NEVER KNOWS BEST." Ain't it rather typical the way we always reel in someone else's garbage? And now I can't seem to make the most, once again the poor lost ghost who discovered rhythm in abstract verbosity, the only objective: concealing subjectivity. And now I've got nothing left. All motor function was spent on preparing sentences completely lacking relevance to moving on ahead or scaling peaks the height of Everest. Dancing with the architect and stepping on his phalanges.
4.
If ever there were a creed to abide by - the kind of genius only a fool could devise, No R&D or satisfaction guarantee, just a desperate marked-down price, But I'll buy in. The last time I had a point, it broke right off and stabbed me, Gentrified the block and evicted the misery, but I lost the main idea, had me questioning everything. There were answers in the dark, now I'm blinded by the light I really have. It's more evident than I think I'm able to admit. There's not a path from here that steers to somewhere stable. It's a terrifying rut, when you only have your gut and the caveat of a purposeless idea, but a damn fine one. We can gag the talk of promise, the plan Bs and alternatives, but there's something to be said for the grins in silence. If reality's a mold of endless trivialities and there's comfort in the distance, Resist it or all you'll really have is a broken cobweb, swatted at, palm-struck by unwashed carmine hands and the sight of pale ones building up dust. It's a terrifying rut when you only have your gut and the caveat of a purposeless idea, but a damn fine one. Let me off. Let me off. Let me off, so I can start, or all I'll really have is a conscious effort to make things brighter with shades slumped over my nose, stumbling around, searching for where they've been sat down. It's a terrifying rut when you only have your gut and the caveat that something feels equivalent to nonsense when you're born with it all. And as for the rest of us, we're waiting for somebody to come up with a worthwhile idea.
5.
Of every "what if" I espoused when repetition seemed a fashionable concept, if we can call it regret, I guess I was hesitant to slam on the gas. I still find love in rotation and revisiting, reattempting to win, but I've grown used to defeat and those speeds ain't for me now, or at least that's all I've told myself since I came back. Because admitting you were wrong is such a self-fulfilling method of regress when there's no evidence to justify a claim of greatness either way. Though it's all I've had my eyes on every weekend three times, now it pains me. Kept one foot out the door so I could run and set course when the alarm hit, but the silence after held sway. And I see through myself now. When it's all about results and I can't read the scoreboard, a little extra push to get out first can do a boy some good. But I didn't heed the lesson, ignored every inflection hidden in plain sight. I couldn't recognize the time and care put into every word. But this is a business, not a dream. It has been, it is now, always will be. To give up a shot at your subject of love with no pressure to supersede is to give up a fleeting indefinite wish, oh, I'm fine with this. Most certainly... ...aren't I? If it's all about results, then I DNQ'd the Showdown. A little extra shove does nothing if your head's stuck in the ground. And I didn't heed the lesson, ignored every inflection hidden in plain sight. I couldn't recognize the sacrifice within. And now that so much time's passed, I know I'll never be the hero circling counter-clockwise, fighting chickens on the concrete, gaining nicknames by the minute, moving up the ranks within and always there in sight for someone else to not make out as I blur, always passing by, But I'll be by their side.
6.
You can parrot the reasons for supply and demand, Process delivery to every command, But you know what you're doing isn't all you had planned, don't you? You can ship things from scratch in less than a day, Glorify movement though standing in zugzwang, But surely you realize how hypocritical it is, don't you? So bring me my shit just the way that I asked for, Fend off the yard hounds yelping for war, Drop it right off in my box at the door, and then go. You're no hero, but who said you'd have to be? You'll be well, you'll get there eventually. Eventually...eventually... Day in, day out, it's a skipping tape soundtrack drowned out by traffic and the fear of a crash which never transpires, so get off your back, won't you?

about

Throughout 2016, I advertised that I would be (and briefly was) recording my first full-length album. But you’ve probably noticed the lack of a full-length album here. You deserve an explanation.

In January, I started the writing stage; it was a concept album of sorts connecting my general fears and concerns about transitioning into adulthood to my disillusionment upon moving back to my home state of Massachusetts after 7 years standoffishly growing up in Texas. Joblessness, regret, and feelings of inadequacy littered the hour-long monolith, with dips into specific past events and unreliable memories. It started in the trenches and ended just as dismal in tone, but with a hint of hope leaking through. I was proud of the writing and the timing seemed to be working out spectacularly. Got in touch with a generous producer who invited me to use his home studio for free, and in April, I started plugging away, one instrument at a time. I thought I was finally about to live my dream of getting a complete self-written album out there. I was undeniably taking the first step.

But then it all just stopped.

The summer brought with it twists and turns - I was graciously offered employment through those months, but too far from the studio to make any reasonable or consistent progress. Said producer encountered business stress around the same time. Contact ended. The songs remained unfinished, some not even started. Fall rolled around; back to college, another semester of ideological wandering upon heaps of new work and projects. It stung. I didn’t feel cheated out of the album; shit just happens sometimes and I was incredibly lucky to get the offer in the first place, but it became clear the LP just wasn’t going to happen this year, and there was no sign of it getting done in the near future either.

But I promised everybody new music in 2016, and since I walk that thin line between aiming to please and relentlessly putting artistic integrity first, the last month or so my thoughts regarding those songs changed. I asked myself, “what can I realistically record by year’s end and how I can make whatever I do get around to sound cohesive?” The LP was too rigidly structured to pick things out willy-nilly, and I didn’t have the recorded audio files available in the first place, nor the same studio or equipment capabilities. If I were to attempt anything, it would have to be DIY, and that meant acoustic seemed the most sensible way to go, but for the sake of keeping the nature of each song intact, that also meant shoving aside nearly everything I’d written. Aside from “Gusts” and “Dancing About Architecture,” nothing else from the full album made the cut on this EP, but revisiting older scrapped song ideas paid huge dividends. For months, I wasn’t planning on letting the rest of the material here see the light of day.

And yet here we are, and those other four tracks really came into their own when paired alongside one another as their own little subset of ideas from the 1st LP sessions. Across this EP’s approximately 24 minutes, the inevitability of cycles and old habits clash with dreams and potential and uncertainty to provide what I feel like is the best possible representation of where things have been with me this year. I still have little to no clue what my future - and that of this project - holds, but for the time being, I can at least feel like I’ve made good on one thing; to keep actively getting music out there in the world without abandoning my honesty or growth as a songwriter. ACBD was a test. Perpetual Standstill was a rant. Taunt Me, Daunt Me… was a breakdown. They were all rushed, and the latter two blatantly reactionary. But Gusts is more of an open letter, introspective and - to my eyes, at least - a fair deal more accessible. Though for me it’s still lyrically rooted in obscure specifics (that’s just kinda my style,) I hope the messages contained here can also resonate for anyone else out there who feels passively blown along by life’s whims, searching for meaning and self-improvement. It’s no grand epic, it’s no game-changer, and it’s certainly not the first full-length album of The Heist Revenge, but considering the cards this year dealt, the hand I’ve played here feels like just as much of an accomplishment. One step at a time and all that.

Whether you’ve been a fan for awhile or you’re just discovering me and my music now, I sincerely hope you enjoy it. Thank you all for the support.

credits

released December 11, 2016

Written January-June and November-December 2016
Recorded 12/3/16 through 12/11/16 at Watson Fine Arts and Larcom Hall, Norton, MA

Cover art by Zack Lorenzen
All songs written, performed, produced, and mixed by Zack Lorenzen
Additional production assistance by Danny Mullen
Equipment borrowed with the generosity of Keegan Douglass and Evan Laferriere

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The Heist Revenge Waterbury, Connecticut

The Heist Revenge is Zack Lorenzen and any collaborators who appear on his projects.

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